By Adam B. Ellick
VILNIUS, Lithuania, Dec. 20 (JTA)
— Samuel Bak never planned to return home.
His last images of his native Vilna — the Yiddish name of Vilnius
— come from 1944, when the Lithuanian capital was covered in ruins and
incinerated debris.
Bak´s father and grandparents, like 94 percent of Lithuanian Jews,
were killed in the Holocaust.
Then 11 years old and already famous among Vilna Jews as a child arts
prodigy, Bak escaped with his mother to neighboring Poland before ending
up in a displaced persons camp in Landsberg, Germany.
In 1948 they immigrated to Israel.
The renowned artist followed a career path that took him to Rome,
Paris, New York and Boston, where he lives today with his family.
His paintings — which carry an inescapable theme of destruction —
have appeared at the National German Museum, New York City´s Jewish
Museum and London´s Barbican Center.
In October Bak published his first book, "Painted in Words: A
Memoir," which documents the wartime horrors he lived through.
"I saw the Germans arrive, and I saw a world disappear in
minutes like the two towers of the World Trade Center," Bak says.
"But my world was transformed much more brutally than the world
that we are living in today. We were a Jewish community of 70,000, and
on liberation day we were 200."
Until recently, Bak, now 68, had never considered revisiting the
horrors of his previous life. But that changed a few years ago, when Bak
got word that his childhood artworks had survived nearly six decades of
Nazi and Soviet rule.
This spring, Bak overcame what he called "a lot of emotional
upheavals" and returned to his birthplace to prepare for a
retrospective of his works at the State Art Museum and Gaon Jewish Sate
Museum.
Funded by the Lithuanian ministry of culture and Boston´s Pucker
Gallery, the four-month exhibition, "Returning Home," runs
until Jan. 30.
Commemorating the 60th anniversary of the establishment of the Vilna
Ghetto, the exhibit features more than 100 paintings by Bak from 1944 to
2001, as well as newly discovered works from his childhood in the
ghetto.
"The commemoration of this sad date is the answer of the modern
Lithuanian society to the world: We know our history, we want to be fair
and we want to continue the dialogue among civilizations,"
Lithuania´s culture minister, Roma Dovydeniene, says of the exhibit.
Bak marvels at the change in his fortunes since he was a boy who
escaped death.
"To think this boy survived and returned to his native town in
Vilnius with a major exhibition that is celebrated by the authorities is
— what can I say? — it´s a miraculous experience," Bak says.
His early works, including a sketchbook and a portfolio of more than
65 drawings and watercolors, long were thought lost.
They were discovered in the mid-1990s in the collection of the
National Museum of Lithuania by curators at the Gaon Jewish State
Museum, a prewar institution reestablished in 1989.
The national museum has since transferred these and many other works
to the Jewish museum.
Bak believes these works were hidden by a Vilna poet who survived the
war and accumulated Jewish artworks immediately after the Russians
liberated Lithuania from the Nazis in 1944.
Bak´s childhood works are displayed at the newly restored Tolerance
Center, one of three venues operated by the Gaon museum. The renovated
building, a prewar Yiddish theater left in ruins after the fall of
Communism in 1991, was unveiled in conjunction with the opening of the
Bak exhibition.
His modern works are displayed in eight rooms at the State Art
Museum.
"That fact that the authorities were willing to sponsor this is
a sign that something is moving in the right direction, to deal with
this horrendous past," Bak said during a recent visit to Vilnius.
Before the war, Vilna was the Yiddish cultural capital of the world.
The city was dotted with Jewish theaters, libraries, schools and more
than 100 synagogues.
"If I had to choose the Metropolitan Museum in New York or an
exhibition in Vilnius, I still think I would have chosen Vilnius because
here I can show my paintings to my grandparents," said Bak, who
donated 37 of his works to the Gaon museum.